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Profile Successfully Updated. This Email ID is already registered. The story has potential. The local mafia of Devgarh, Bhai Ji Nasser and his men believe that they have killed the righteous cop of the area, Vikram Singh Rathore, in full public view.
Things take a turn for the worse for them when news of Rathore being alive starts doing the rounds. Bhaiji sends his thugs to Mumbai where Rathore is said to be living with his daughter. Confusion ensues further when Devgarh goons mistake Shiva for Rathore and are hell-bent on killing him. The premise of the film may be good, but the treatment is that of a typical south Indian pot boiler.
No harm in that either, just that most of the scenes lack logic. The violence is gory and in some places cringe-worthy. Akshay tries, tries hard, to fit into a genre which is at the moment a formula for success. But the man who has given us some extremely entertaining films in the past, gets lost in the slow pace of the film and the southern sensibilities of the director. Sure, his signature flamboyance is there. The film takes too long to establish the main plot and too little time to establish the love story between Sonakshi and Akshay which nearly happens in the first half hour of the film.
Just when you start giving up on the film, Akshay Kumar gives you some hope with his funny antics and witty dialogues in the later part of the second half. Not her fault, considering the story gives her very little scope to do anything other than show her somewhat flabby waist and dance boisterously to the tunes of Sajid-Wajid. Prabhu Deva fails to take the film anywhere, uses a tried and tested formula which may have worked down south but is sadly extremely annoying and garish when remade in Hindi.
Watch it for Akshay if you must. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account.
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